Now we need to create an additional set of Aux tracks to enable us to mix and process the audio for each track coming from the ARIA Player. To render your Finale output as audio, Region–Solo a track, then right-click the region, and select “Bounce In Place.” If you’re going to use the MIDI again for another instrument, select “Leave” – and the other options as shown:Īt this point, you might not have any effects on – which is good when you’re bouncing audio this early in a session. The easiest way to solo and mute at this stage of the game is to select the region and select “Control–s” (Solo) or “Control–m” (Mute). There’s a toolbar icon for Region Solo (but not Region Mute). We don’t need “Track Solo” – we need “Region Solo.” Remember that all the audio for all these aux tracks is coming from the first (instrument) track only. The answer is that track buttons work on audio only. It appears at first you can’t solo a track (unless you already know about the Region Solo and Mute functions in Logic Pro X). You may have noticed that the track solo buttons currently kill playback. Here’s a view of Modulation CC data as written by Human Playback, following score markings. Aside from writing MIDI volume and pan information, it also writes automation in seven CC Automation Lanes, plus Key Switches to change samples for articulation changes. But if you want to be able to edit or add to your MIDI once it’s in Logic (with full mix control before you bounce any audio), there’s more to be done.Īfter importing your midi, you can see what Human Playback adds to the file. This takes care of MIDI–out, Audio–in for your MIDI tracks.Īt this point, you’ll be able to bounce each part to an audio track, and go on mixing from there. Now you have a separate Aux track containing your MIDI data for each MIDI channel, with your MIDI track data routed to its corresponding channel on the ARIA player, and receiving audio from the ARIA Player on a discrete audio pair. After doing that, delete all the instrument tracks created during MIDI import. Select all your MIDI tracks and drag them up to the Auxes. It will load into a series of new instrument tracks in the Arrange window. Import MIDIĪt this point, import your MIDI. Name the tracks, corresponding to the parts in the multi you just loaded. You’ll see additional Aux tracks that will host your MIDI data. The first track you see in the Arrange view is the “master instance,” an instrument track hosting the player. When using the ARIA Player as a multi in a DAW, in order to get full control over the mix, audio channel outs need to be reassigned from the default out 1&2 main stereo output. Next, load your saved Multi – and make sure your parts’ audio track routing channel assignments are distributed: 1&2, 3&4, 5&6, etc. In the New Track dialog, select “Software Instrument,” then add the ARIA Player via the drop-down under “Instrument” Logic prompts you to add a track before you can get in your session. This creates a “Multi,” a multi-timbral instrument that can be instantiated in Logic Pro X.
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